Favorite Postmodern Moments

Since posting about Paul Anka this morning, I've been thinking about my favorite recent postmodern kind of moments. And I'll give you a list in a second. But does anyone remember that episode of The Simpsons where Moe redecorates his bar? So there are all these crazy things in the bar, like these weird rabbits running in those hamster wheel things attached to the ceiling. And there's a comment from one of the patrons (Moe's is suddenly really popular with the hip, young set) about it only being OK to watch football if one is being ironic. Anyway, Homer and Lenny and the other guy think it's kinda crazy, and they are like, "Moe, what's the deal?"

And Moe says, "It's Po Mo." Homer looks at Moe strangly, and Moe explains, "You know, postmodern." And when Homer still doesn't get it, Moe further explains, "Weird for the sake of weird."

So I really love that analysis. Anyway, here are some of my very favorite recent post modern developments:

1. Paul Anka singing Nirvana's "Smells Like Teen Spirit"

2. Audrey Hepburn dancing to "Back in Black" in the new Gap commercial

3. The Stinky Cheese Man and Other Fairly Stupid Tales (Ok, ok, that's not such a recent development, but it's too good to leave out)

4. Anything pertaining to "The Donald"

5. A book becoming a bestseller overnight, just because Oprah says it's worth reading

6. Oh, John Karr's being a big celebrity, all because he's obsessed with poor JonBenet; of course, we, the viewers, must be obsessed in our own way to have latched onto the story the way we have.

7. The mandate that requires Cookie Monster to cut back on the cookies and eat more fruits and veggies. This seems, to me, to be this weird, postmodern conflation of this pop icon with political correctness in a way that just makes no sense. Seriously. Does he now sing, "Celery, celery, celery starts with C"? This is beyond stupid in my book.

8. Having to refer to Prince as "The Artist, formerly known as Prince." Again, not such a recent development, but it's all so ridiculous that I think it's worth mentioning.

9. Does the development and coinage of the "prequel" count? Because isn't there something postmodern about the concept of a prequel, not something that comes before, but something that's constructed after the fact to be as though it came before. And really, not that this has any bearing on anything, but for the record, I kinda liked JarJar Binks.

10. Stephen Sondheim's Into the Woods. Ok, really, I think Into the Woods is really a brilliant show. And I'd say it represents the best of postmodernism, to my way of thinking. I really love the song that Little Red Ridinghood sings after her encounter with the Wolf, where she observes that "Nice is different than good" and that having all this new, adult knowledge is both wonderful "and a little bit not" so wonderful. I can't say enough about how smart I think Sondheim is in his analysis of the fairy tale. Any while the show is quite entertaining, I think it's powerful.

So, if all this stuff were in a novel by Thomas Pyncheon and hadn't actually happened, what would we say? Would we be like, "That's too crazy. That could never happen?"

What are your favorite postmodern moments?