Susan Cooper's King of Shadows

Last weekend, I read Cooper's King of Shadows. I think her Dark is Rising sequence is just great, so I was excited about this title. It wasn't as wonderful as I was hoping, but it wasn't bad either. So it's the story of a boy, he's maybe 12, who's playing Puck in a production of A Midsummer Night's Dream in 1999. But one day he wakes up, and it's 1599, but he's still playing Puck. He meets Shakespeare and what-have-you. What I did think was interesting about the book was the way in which Cooper depicts Elizabethan society, specifically the politics surrounding Shakespeare's theatre. Shakespeare and Richard Burbage are shown having to walk a fine line between appearing to support Essex and still really supporting Elizabeth. It just seems to me that this and so many other cultural elements are forgotten in our misguided attempt to present Shakespeare as high culture. Shakespeare was pop culture, and it seems to me so important to think of him that way. He wrote to make money, writing what he believed the people wanted to see, would pay money to see. None of this art for art's sake business. OK, so enough rant. I make no claim to being a Renaissance scholar. Still, Cooper is saying, especially to young people, something important that it seems that we so often forget about Shakespeare.